Buku ini merupakan salah satu buku yang membicarakan teori sastra. Teori-teori yang dibicarakan dalam buku ini meliputi teori hermeneutika, resepsi, strukturalisme, semiotik, post-strukturalisme, hingga psikoanalisis dalam karya sastra.
University of Oxford
ORCID: 0000-0002-9466-7855Publishes on Political Economy and Marxism, German Literature and Culture Studies, Contemporary Literature and Criticism. 597 papers and 15.3k citations.
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Buku ini merupakan salah satu buku yang membicarakan teori sastra. Teori-teori yang dibicarakan dalam buku ini meliputi teori hermeneutika, resepsi, strukturalisme, semiotik, post-strukturalisme, hingga psikoanalisis dalam karya sastra.
In the modern world, ideology has never before been so much in evidence as a fact and so little understood as a concept. In a book designed both for newcomers to the topic and for those already familiar with the debates, Terry Eagleton unravels the many different meanings of ideology, and charts the history of the concept from the Enlightenment to postmodernism. As well as clarifying a confused topic, this new edition of a now classic work is fully updated in the light of current theoretical debates.
Eagleton, Terry. 1990. The Ideology of the Aesthetic. Oxford: Blackwell. ©
Terry Eagleton is one of the most important - and most radical - theorists writing today. His witty and acerbic attacks on contemporary culture and society are read and enjoyed by many, and his studies of literature are regarded as classics of contemporary criticism. In this new edition of his groundbreaking treatise on literary theory, Eagleton seeks to develop a sophisticated relationship between Marxism and literary criticism. Ranging across the key works of Raymond Williams, Lenin, Trostsky, Brecht, Adorno, Benjamin, Lukacs and Sartre, he develops a nuanced critique of traditional literary criticism, while producing a compelling theoretical account of ideology. Eagleton uses this perspective to offer fascinating analyses of canonical writers, including George Eliot, Charles Dickens, Joseph Conrad, Henry James, T.S. Eliot, W.B. Yeats, James Joyce and D.H. Lawrence. However, he distances himself from a simplistic application of Marxist categories and shows how ideology can play a productive and subversive role in their work.