Sara Penoni

Fluorescence LIDAR imaging has been already proposed in several studies as a valuable technique for the remote diagnostics and documentation of the monumental surfaces, with main applications referring to the detection and classification of biodeteriogens, the characterization of lithotypes, the detection and characterization protective coatings and also of some types of pigments. However, the conservation and documentation of the cultural heritage is an application field where a highly multi-disciplinary, integrated approach is typically required. In this respect, the fluorescence LIDAR technique can be particularly useful to provide an overall assessment of the whole investigated surface, which can be profitably used to identify those specific areas in which further analytical measurements or sampling for laboratory analysis are needed. This paper presents some representative examples of the research carried out in the frame of the PRIMARTE project, with particular reference to the LIDAR data and their significance in conjunction with the other applied techniques. One of the major objectives of the project, actually, was the development of an integrated methodology for the combined use of data by using diverse techniques: from fluorescence LIDAR remote sensing to UV fluorescence and IR imaging, from IR thermography, georadar, 3D electric tomography to microwave reflectometry, from analytical techniques (FORS, FT-IR, GC-MS) to high resolution photo-documentation and historical archive studies. This method was applied to a 'pilot site', a chapel dating back to the fourteenth century, situated at 'Le Campora' site in the vicinity of Florence. All data have been integrated in a multi-medial tool for archiving, management, exploitation and dissemination purposes.

Sol LeWitt, a pioneer of conceptual art, created during his career over 1350 wall drawings, including the Wall Drawing #736 (1993) at the Center for Contemporary Art Luigi Pecci in Prato (Prato, Italy). The painting, executed by Andrea Marescalchi and Antony Sansotta under LeWitt’s instructions, features a grid of coloured rectangles obtained by overlapping different layers of inks. During a 2021 restoration by the Wall Paintings and Stuccoes Department of the Opificio delle Pietre Dure (Firenze, Italy), an in-depth investigation of the composition and the materials used by LeWitt’s assistants in producing Wall Drawing #736 was performed. A multi-analytical approach entailing Raman spectroscopy, high-performance liquid chromatography coupled to diode array and high-resolution mass spectrometry, gas chromatography–mass spectrometry (GC–MS), and pyrolysis coupled with GC–MS was applied. Our results revealed the use of animal glue, shellac resin, paraffin wax, linseed oil, and various organic pigments. The binder in the preparation layer was identified as poly(vinyl acetate), while poly(n-butyl methacrylate) was determined as a fixative. This research provided valuable insights into LeWitt’s techniques. The acquired knowledge on the paint technique is highly relevant in supporting conservators in restoration and consolidating the many wall drawings produced exploiting the same technique all over the world.

Pink discolorations are often observed on heritage buildings mainly in areas affected by salt weathering, where the development of halotolerant and halophilic microorganisms is favored. Part of these extremophilic microorganisms contains carotenoids, reason for which their colonization becomes visible by naked eye on large surfaces. This work investigates the pink alteration of the walls with drawings attributed to Michelangelo, located in the basement room of the Medici Chapel (Florence, Italy). The results of in-depth multidisciplinary investigations are discussed in the context of a thorough literature review on pink alterations of heritage buildings. For the first time, we combined culture-based approaches with metagenomic analyses that revealed the pink pigmented archaea Halalkalicoccus sp. as dominant, pointing their role in the pink discoloration present on the wall. Raman spectroscopy was exploited for the characterization of the biogenic pigments and Fourier Transform infrared spectroscopy and scanning electron microscopy to analyze the salt formations present on the walls.